The publication accompanying Emre Hüner’s solo exhibition [ELEKTROİZOLASYON]: Unknown Parameter Extro-Record opens with the artist’s text titled “[Elektroizolasyon]: A Recording Mechanism”. Featuring collages, images from the production process, drawings, diagramsketches, “[Extro-Envanter]” photography series and film stills created and prepared by Hüner specifically for this occasion, it also includes Aslı Seven’s curatorial text “Electrical Afterlife_Scriptoprothesis in the Shadow of a Hyperobject”, fragments from the script of [Elektroizolasyon] and photos, as well as Hypernauts by Meliha Erem. Designed by Vahit Tuna, the book brings together reproduction and exhibition p
Tükendi
Gelince Haber VerThe publication accompanying Emre Hüner’s solo exhibition [ELEKTROİZOLASYON]: Unknown Parameter Extro-Record opens with the artist’s text titled “[Elektroizolasyon]: A Recording Mechanism”. Featuring collages, images from the production process, drawings, diagramsketches, “[Extro-Envanter]” photography series and film stills created and prepared by Hüner specifically for this occasion, it also includes Aslı Seven’s curatorial text “Electrical Afterlife_Scriptoprothesis in the Shadow of a Hyperobject”, fragments from the script of [Elektroizolasyon] and photos, as well as Hypernauts by Meliha Erem. Designed by Vahit Tuna, the book brings together reproduction and exhibition photos by Hadiye Cangökçe and flufoto (Barış Aras & Elif Çakırlar), visual records of ceramic glaze samples, along with QR codes presenting new sound collage pieces composed of sounds recorded in various locations during the production processes of the exhibition, radio newscasts, and the voice-overs of the film [Elektroizolasyon]. Using Wim Crouwel’s 1967 typeface which also serves as the medium for Hüner’s silkscreen print series The New Unreadable, the publication also provides a permanent record of the exhibition’s alternating subtitles on digital media.